Digital Latin American Cultures Network
News
DLAC YouTube channel now available
The DLAC YouTube channel is now live! The channel, which can be found here, is comprised of a variety of videos, which we will be expanding on in the future. Recordings included to this point are a video which features Argentinian digital artist Marina Zerbarini talking about her 2003 online interactive work Tejido … Continue reading
Digital Art on LSE Impact Blog
Claire’s project on Latin(o) American Digital Art has been featured on the LSE’s Impact Blog. The LSE Impact Blog is a hub for researchers, administrative staff, librarians, students, think tanks, government, and anyone else interested in maximising the impact of academic work in the social sciences and other disciplines. It aims to encourage debate, share best … Continue reading
Case study on Marina Zerbarini’s Tejido de memoria now available on FIHRM website
A case study on Marina’s digital artwork, Tejido de memoria has now been added to the Resources section of the FIHRM (Federation of International Human Rights Museums) website. Claire and her Research Assistant, Ailsa, were invited by National Museums Liverpool (NML), who created and run the website, to rejuvenate its Resources section as part of … Continue reading
Can the Subaltern Speak Online? – Report on event
On Friday 24 February staff at the Centre for World Cinemas and Digital Cultures at the University of Leeds celebrated their second Sadler Seminar in the ‘Remapping World Cinemas in a Digital Age’ series. The event was entitled ‘Can the Subaltern Speak Online? The Potential of Audio-visual Media for Advocacy and Resistance on the Internet’ … Continue reading
Latin(o) American Digital Art policy document distributed
The policy document written after Claire’s successful Latin(o) American Digital Art exhibition at FACT Liverpool in 2014 has been translated into Spanish and distributed among Latin American institutions. In October 2016, Claire was awarded Impact Acceleration funding from the University of Liverpool to carry out work on the project Latin American Art and Museum Policy, … Continue reading
New article in DHQ about the relationship between the ‘disciplines’ of Digital Humanities and Modern Languages
Claire and Thea are pleased to announce the publication in Digital Humanities Quarterly, 11.1, of an article that they have co-authored entitled ‘Where’s the ML in DH? And Where’s the DH in ML? The Relationship between Modern Languages and Digital Humanities, and an Argument for a Critical DHML’. The full article is available here. The … Continue reading
Latin American Identity in Online Cultural Production now available in paperback
Claire and Thea are pleased to announce that their 2013 book, Latin American Identity in Online Cultural Production has just been released in paperback and is available to order direct from the publisher. An ebook is also available. Reviews of the book have described it as ‘a superb resource for scholars interested in Latin(o) American … Continue reading
Book Chapter on Mestiza/o Cyborgs in Cambridge Companion to Latina/o Literature
Thea Pitman has published a chapter entitled ‘Mestizaje and Cyborgism on Either Side of the Line’ in the Cambridge Companion to Latina/a Literature (CUP 2016), edited by John Morán González. The chapter looks at the body politics of the proliferation of mestiza/o cyborgs in Latino cultural production from the early 1990s to the early 2000s, … Continue reading
DLAC colleague on ESRC Grant
The DLAC network is pleased to announce that Claire Taylor is part of a team that has been awarded a grant from the ESRC (Economic and Social Research Council) to undertake a scoping review on “Ways of Being in a Digital Age”. Led by Professor Simeon Yates of the Institute of Cultural Capital, the scoping … Continue reading
Cities in Dialogue book
DLAC network is delighted to announce that the retrospective volume on Latin American new media arts, arising from the Cities in Dialogue exhibition, has now been published. The Cities in Dialogue exhibition was held in in FACT in conjunction with the Liverpool Independents Biennial in 2014. The book covers the exhibition in detail, as well … Continue reading
Follow us via RSS
latamcyber on Flickr
Licence
Content on this site, other than the header image, is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Credits
This header image is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
